Testing, testing, 1,2,3...a day in the life of an MUA...


When I was a young girl I hated taking tests in school. I wasn’t very good at memorizing facts or figures and I got so nervous because I knew that I was going to fail.

Little did I know that I would grow up to become a professional makeup artist constantly “testing” my abilities and products and being paid for creating beauty (or ugliness) in the television and film industry.

Testing prior to working on set is crucial. I can’t stress this enough to those of you who are students of makeup artistry and have yet to work in the fast paced environment called the makeup room!

Testing builds your speed as an artist, your confidence and you could develop a way to produce effects that no one else has discovered. The original techniques of the makeup artists that I was taught by at makeup school, honed their skills through trial and error or “testing!”

Dick Smith, creator of many characters in films such as The Exorcist, The Godfather, Arsenic and Old Lace, The Strange Case of Dr. Jekyll and Mr. Hyde and Taxi Driver to name just a few, always lectured our class on the art of being prepared for “anything!”

Making sure that our kits were stocked with strange accoutrement such as thin balloons, Knox Gelatin, denture adhesive and Alka-Seltzer. It wasn’t because those things were needed for us to lighten up late night deadlines in the lab or to treat upset stomachs from all the craft service food we would inhale. It was because those particular items could rescue a makeup artist in a hurry when an unforeseen change is made and the entire crew is waiting for the makeup artist to create an effect.

For example, if a gun shot was added to a scene, an actor could easily “pop” a blood filled thin balloon secured to his/her wardrobe or fresh burn wounds could be created quickly by heating up Knox Gelatin and applying it to the skin. Denture adhesive is safe to use to stick fake teeth to real teeth and wounds that had to look infected could ooze with the help of Alka-Seltzer.

I recall one particular class where Mr. Smith taught us how to create gross teeth in a hurry. All of the students rushed off to the grocery store armed with a list that instructed us to purchase Hubba Bubba bubble gum, peanuts, and a nail file and to make a quick pit stop at the craft store for some non-toxic black paint.

The next day we sat in class looking at the “tools” we were going to use and per Mr. Smith’s instruction we spread a piece of the bubble gum inside our mouths, across our upper teeth and thinned it out slightly.

Prior to that, he had asked us to cut the peanuts in half and file them down into points or jagged sharp shapes and paint them black. Then we stuck the peanuts onto the bubble gum and finished our makeup look. At the end of the class we all took pictures of our rotten, zombie creations! How’s that for innovation?

Sometimes I have to test my skill level as an artist because I need to recreate a period of time in the past. Makeup was worn different out in the old west or during the roaring 20’s. Other times, I have to product test because I need to create a fictional character like a zombie that has peeling skin and open wounds.

It is important to find a model that will sit for you during the testing process, but I have had many people turn me down especially when it is special effects trials. They either have sensitive skin or don’t want to sit for a long period of time while I poke and prod their faces with adhesives that smell gross and products that feel funny on the face. So, I have had to be my own model many times!

Below are a few photos from a recent photo shoot that required zombie type makeup and I have included my test photos as well. Because I tested all product prior to the shoot I was able to design and recreate the look on set very quickly. Enjoy!





Creating a character...a day in the life of an MUA


As a professional makeup artist for the film and television industry I am frequently asked to help create a character. Usually this is a vision in the mind of the Director that needs to be brought to life on the big or little screen.

Collaborating with the Director, Actor, Wardrobe and Hair Department are crucial so that the viewing audience is taken on a journey along with the character and feels they can relate to every scene.

Sometimes the makeup is simple and basic or it can be as complicated as a burn victim full of permanent scars or fresh wounds. Knowing how to recreate period pieces, westerns, film noir, science fiction or special effects such as drug addict marks, prison inmate tattoos or domestic abuse bruising and injuries will test the technical ability of any makeup artist.

When I am asked to create or recreate a character, I rely on my collection of books, videos, the internet and I ask for several post production meetings to make sure that I am completely educated on the exact needs of the character. Making sure that I have a complete arsenal of face charts and/or pictures that the Director can look at and let me know if I am moving in the right or wrong direction, which I bring when attending those meetings.

Then the testing process begins and that too has its challenges. There are always several new product lines available to the makeup artist that have been recently brought to the mass market and there are old “tricks of the trade” taught by greats such as Dick Smith or Stan Winston, both of which I had the pleasure of attending several classes with and then apprenticing for after leaving Joe Blasco makeup school, that you can rely upon when facing a difficult task. Either way, testing is mandatory before stepping onto the set because it makes you prepared for what will be a very busy day that will no doubt be full of surprises.

Changes to the character sometimes happen in the makeup room and you have to be prepared for anything. A character requiring no effects makeup will endure a script change and inevitably need some blood work or tattoo work done.

Regardless of the budget, my name is going on each project so that pushes me to develop my skills and bring forth a creation that everyone can be proud off. After all, it is a team effort and being part of a good crew makes my work exciting and fun!

Below are a few photos of some of my recent work. I was called upon to freehand and airbrush many tattoos, as well as create several injuries for recent productions that shot in San Diego. Enjoy!










It's showtime...a day in the life of an MUA



The Makeup Show - Los Angeles is a gathering of Who's Who in the professional cosmetic and makeup artist industry! The Show is presented by The Powder Group and sponsored by Make Up For Ever, Temptu, Alcone and Crown Brush. There were dozens of cosmetic brands, educators, professional artists, and other businesses related to the cosmetic industry in attendance, not to forget the hundreds of students and consumers that walked the floor as well!

I networked and attended workshops and lectures by iconic beauty industry professionals: Ronnie Spector, Ve Neill, Eve Pearl, Billy B., Elke Von Freudenberg and Sharon Gault and tested dozens of new cosmetic lines mostly used for HD. Also in attendance were legendary industry names like, Marvin Westmore, Joe Blasco, Maurice Stein and Dean and Davis Factor, as well as many professional makeup artistry schools such as MUD, Blasco Makeup School, All About Face Academy and the Westmore Academy.

MUA-TV launched their website, which is the exclusive, most elite live streaming webcast for professional makeup artists, hair stylists, skin care specialists, special makeup effects artists, makeup students, cosmetology students and cosmetic retailers. Also in conjunction with MUA-TV is themakeupspace.com, which is offering online professional makeup seminars! I hope to be a part of both of those organizations in the near future.

Please enjoy the photos below from the show:




















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